march 13 // nicole moan: hunting down my childhood
In this new series Nicole Moan documents many of the creative 2 dimensional characters that inhabited her youth by building them into 3 dimensional clay sculptures. The idea for this series struck her as she watched her kids watch “new” television shows and realized how much of it now overlaps with shows of her youth. Nicole decided to take a trip down memory lane and bring these characters to life in a way that is both humorous and original.
Come out to the opening Friday March 13th from 7-11pm at DNA Galleries.
What is your medium/process? My medium is mostly clay but I love working with so many. I make all of the skirts that go with my ceramic corsets. I also create jewelry and accessories of mixed mediums. As far as process goes, when I get an idea for a creation I turn it over in my head for a while until I can see how it can be made before I attempt to bring it to life.
Where are you from? I’ve spent all of my adult life living in Oklahoma City, with the exception of a brief stint in Lancaster, California, but I spent most of my childhood moving around the country with my artist parents.
How would you describe your latest body of work? Lately I have been very inspired by cartoons and characters from my childhood. The characters themselves are fairly self-explanatory. Placing their heads on plaques as trophies is that feeling of wanting to keep that youthful place and preserve it as a hunter would. They are the memories that framed my youth. Not just MY youth, several generations of youths. As we grow older, we all search for ways to hold on to our feelings of being young. I think this is something most everyone can identify with.
What inspires you? The thing that inspires me the most is developing and learning new techniques. Finding something that no one is doing and building on it.
How did you get started? Both of my parents are artists, so I grew up around a lot of creativity. Both were painters but they also owned a business creating and sculpting props for businesses. I had the opportunity to see and learn many techniques as well as learning to think about projects in engineering terms as well. This still influences almost every aspect of my work.
What are your goals for the future? My current goals are to have a space for teaching ceramic techniques that other places don’t give lessons in, as well as to bring in other artist to host and teach other types of work. I would love to see my work carried in galleries all over the country, and my corsets on runways in the major fashion cities.